Wednesday, 24 September 2008

Preston Away (version # 2 IMP )

It all started with a hangover on Friday morning. The kind of hangover where nobody can touch you without you wanting to take a knife to their throat. The kind of hangover that makes you stare longingly at the front of the incoming bus, willing it to hit just to see what it would feel like. This would never happen, though. Such a burgeoning headache and foul stomach seem to give one an air of invincibility when wandering around and going places. I imagine most people die when they are fully alert and ready for anything.

I went to work grudgingly, as you do with said hangover. I did some work. We left early, happily. I got the bus home and I didn’t have to hang off it. Wonderful mid-afternoon bus. Back at Adarsh Heights I lay on my bed for too long and time galloped past me and I ended up having to rush a shower and trot to buy some rum and snacks for the journey. As I reached Hyderabad Central Station at Nampally everyone was waiting. But it was OK. Forty minutes to go.

Sleeper trains are fast becoming one of my favourite things in India. It sounds inconsequential and perhaps shows a depressing state of affairs in this writer’s mind, but gazing (forwards, always forwards, always on the way somewhere) through a window whilst travelling is possibly one of my most favourite things in the world. Sleeper trains taken before sunset are perfect for this. On the way to Bangalore two (three?) weeks previous I sat cross legged at 1:30AM, staring out from my window seat, sipping at my rum, as a lightning storm went about its business on the horizon and above the stars gleamed brighter than I had ever seen them. It was truly breathtaking.


This trip was slightly different. One, we were going somewhere amazing (I’ve still not forgiven Bangalore for my Sugar Kane Juice experience), and Two I didn’t have a window seat. This was completely of my own doing of course. In a sleeper train there are rows of booths in a rectangle, three beds on two sides and two beds on the end (they fold out very cleverly). The lower beds have windows. Stefan asked me very nicely if it was OK if he had the lower bed, after I had set my heart on it without telling anyone (oh how often does this happen). He said it was completely no problem if not. He even asked me specifically (obviously seeing my heartbroken face). “No, of course not, it’s fine!” Yes I would absolutely love it but don’t want to cause trouble or resentment. “You sure?” “Yeah seriously I’ll take the middle bunk.” Fuck fuck fuck fuck fuck.

To compensate I took my mp3 player and went to stand next to the open door of the train. The doors are always open for some reason. One little slip.

It was gorgeous. The sun was setting, not magnificently, but red enough to eerily light up rural Andhra Pradesh and then Karnataka. As the sky darkened lights appeared and disappeared as the sheer size of emptiness in between the cities was wholly emphasised. At some point some skyscrapers appeared on the horizon with huge orange lights. On the map there were no cities or towns. This confused us somewhat, with the conclusion being that it was clearly an alien colony that no-one could really be bothered to deal with because it’s India, and you know, things often don’t get dealt with.

I went back and talked a little and read some of my book. It’s by William Burroughs and is called Naked Lunch and I love the way he addressed me as Gentle Reader before embarking on the most revolting and disturbing scene I’ve ever had the pleasure to imagine from pure text. Brilliant:

“Who can shit on a fallen adversary who, dying, eats the shit and screams with joy?”

Then we all went to sleep. Me on my middle bunk. As it was, if I turned my head at an acute angle I could see out of the top inch of the window. I laid and watched the stars for a while. I sipped some rum in its black plastic bag to help me sleep a bit. I listened to Steralfur and Hjartao Hamast and Olsen Olsen. Then I went to sleep.

We reached Hospet at 6:20AM. We got the Autorickshaw and reached our destination, Hampi, beautiful Hampi, about half an hour later. I won’t harp on about it, apart from the fact that it is my favourite place in India so far. We travelled around the centuries old city by moped (no I had never driven one before). We saw monkeys and elephant (yes singular). At some point I realised I didn’t have any way of getting the Preston Wolves score. I panic. This was the longest period (two days) of not knowing the Wolves score since I was TWELVE YEARS OLD. We sat on top of the world. I hurt my foot on said moped. (It looks sort of funny now. By funny I mean infected. I hope they don’t have to chop it off). Despite it being a ‘dry’ city our nice guest house friend brought us some ‘special juice’ which was very strong. Anything is possible. We laid next to the river gazing at the stars drinking whiskey. We got quite drunk. We drove mopeds with hangover number two. We flew through the jungle. I bought an amazing T shirt and some Goa Trance. I might not ever wear it. We left Hampi at 9PM Sunday.

We got back into Nampally at about 10AM Monday morning. I said my farewells and walked very quickly home, convinced we’d have lost, the spell was broken, confidence gone. No way could we have another victory, let alone away from home at 3rd place Preston. Get back to Adarsh Heights. Turn on internet. The rest is history.



I love you, Chris Iwelumo.

Friday, 19 September 2008

Turn the page.


It's been a while.


I've been tangled in the wires of local authority for the last few weeks. Tom and Tallant are also discovering the joys of 'working for the man'. Well, at least Tallant is- Tom seems to be having a whale of a time- drinking with clients, designing door stops etc. Ads is MIA, Anna is in Madrid scouting out the place, and Jeremy is busy trying to arrange We Aeronauts' first trip abroad. Zuberbuhler is currently preparing for a move (slightly) further east, and so things are plodding along.


Booking shows in towns where noone has heard of you is pretty hard- even Mike won't give us a gig (well, maybe he will, we'll see), and despite the bloke from the Albert offering us a show, he wouldn't let us play on our preferred date. Roy fobbed us off again this afternoon. It's all looking rosy. Never fear, for I have knocked up a few demos and am assured by the west-country folk that a Bristol date is certainly a possibility.


That's not the reason I'm here though- it seems that, after a while of listening, the original mix of 'Ash Tree Lane' has become the definitive one. I have told Mike to do a new one, merging the best bits of the latest one and the first one, so we'll see. Also, he should be putting the new mix of Alpe d'Huez up soon.


Talking of which- I have a plan for that song. Seeing as I don't really like singing it anymore, I wondered if Anna should sing lead vox on that (when we're all back together, obviously) from now on. I think she could make it sound much more interesting than I ever could- in my vision of the future for this song I'd just be mucking about on an accordion and occasionally singing backing vocals. I'm also keen to rid the world of the 'climb up mountains' bit. What say you lot? What do you reckon Log?


So at the moment, those of us that are here are playing a show on the 17th October with Maria Illet (of beating us to Cornbury fame) and Tristan & the Troubadours. It is going to be interesting, for sure. We haven't practiced yet. I think about practicing, but I'm not sure that's as productive as actually practicing. We're also supporting Why? and Jonquil at the Regal in Oxford, and playing a new night at the cellar at some point, whilst working on dates in London, Briston, Brighton and Exeter (Greg, any news on this?). If they all come off it will be quite a coup.
Ads, where are you? What are you upto?
Jeremy? any update from India?
Me and Tom are meeting a guy from The Fly magazine on thursday 25th to talk Aeronauts. We're not sure how or why, but it's happening. He's also doing a feature for BBC Oxford about band influences. It should be fun.
Someone else should blog now.
I couldn't do a blog without mentioning Brian Eno; I uploaded Taking Tiger Mountain earlier for John Brainlove, so I might as well post the link here too.
Brian Eno- Taking Tiger Mountain (By Strategy)

Monday, 8 September 2008

Childrens park

I've recorded sections 1 and 2 (of a probably total of 3), of the new song i've been working on, described in some detail in the previous post. I'm calling it 'childrens park' after the play i did in ub, which featured the first riff here.

Here is the mp3:

https://rcpt.yousendit.com/604161204/1b2e6fa179b313287f7ebb9552501f5b

let me know if that doesn't work for some reason.

So, section one. I'm not sure what the chords are, but don't they sound nice. Bass notes are A, C# and D. I see this section as instrumental, but have little opinion on it other than that. Perhaps with instruments entering and leaving. Perhaps it should be long and building, perhaps merely a short introductory 'statement'. Drums, no drums, i'm not sure. We could even throw in a few 'field recordings'. Sampled conversations (young team stylee?) or something. I'd be keen for that. I've got a recording of a mongolian traffic policeman directing traffic with a megaphone that might sound cool.

Ends with a 'jazzy' linking passage.

Then section 2. This is just a rhythm geetar part. I want more instruments in here. Drums. Vocals. Other. The chords are detailed in the post below, but basically we're dealing with G, Dm, F7, E, G, Dm, C, B, repeated, ending with A7, B, E5. I have no lyric for this in mind, but the chords are nice and i think we could make something good of it.

That last E5 (which becomes Em as notes are added in the final seconds of the recording) is the start of section 3. I see driving drums, groovey bass, and a general feeling of good funkyness that should define the final section of what has been up to here a fairly laid back, even lethargic track. I've been working on a little guitar part that has quite a lot in common with my picked part half way through dean moriarty. I'll make a little recording of it when i've got it dialled (possibly later today, possibly later this week). I'd be quite keen for the track not to be guitar driven after this part. Perhaps synth driven? Or piano? Guitar still present, but holding back. Funky bass and drums is essential though i think. And a big vocal.

Alright, have a listen and tell me what you think.

James T